existentialism, Uncategorized

The naming of ducks.

Mother died just before they first arrived. An arrival in return for a departure. I’d rather have had mother than the ducks but we take what we get. Besides, one does not really have anyone. Language anchors us to people in this way. Verbs, in the present tense at least, allow us to believe that we have ownership, that we belong. But we own little and seldom belong. I had a mother. I had a father. How much life that word ‘had’ contains. The illusion is that words speak us. Translate us into the world, for we are in our essence beyond language. Like ducks we are migratory souls and words are not our first language. A puddle catching the reflection of a few stars does not reflect the cosmos. There is such space within us and we pin it to a word here and there and believe we have spoken. It is maddening. So we have craftsmen and women who work to release the interior world. But, they must make do with words. They take what they can get.

My son once let go of a helium balloon and it lifted quickly into the sky. We are like the air in that balloon. Air in air, little and incomprehensibly vast, waiting to burst. Frantically naming the world before we do. What are words but air compressed through pipes, over chords, nudged with a tongue through a cavity? But they signify the world.

The last words mother spoke were garbled. The tubes distorted her. The words travelled 6000km. One expects clarity to be compromised. The conversation haunts you still. It was to be the last. And you, her son, did not hear her. Is it worse not to hear or not to see? How deaf, how blind have you been to everything else? Now you overcompensate. Listening too hard and hearing what is not there. Seeing what is not there. Looking, the way a blind man looks for Braille. Cautiously, fumbling but determined. Like the day the ducks came (oh you make me smile). You were looking at the rain pock-pattern the pool. You were staring right at them but not seeing them until one moved and you saw it was not a shadow. The world was all shadows then. It still is. We had never had ducks land in our pool. Mother had never died before either, not physically, not as quietly. There it was. Death, then ducks in the rain. Your Braille. But you could not read it.

So, they weren’t just ducks after all, were they? We find ways to pull the dead back. So it is with the ducks. There were three of them. The following year they arrived again, stayed a short while and left. The year after that there was another death and they arrived. This year they arrived early, and stayed. No one has died yet. There are two of them. The first became Columbus. He must have taken a wrong turn. There are other, better bodies of water than our swimming pool. We fed them their daily bread but discovered even low carb bread is bad for them. Of the poultry feed (duck feed is unobtainable) they eat the corn, oats and barley but left the field peas (brown marbles that are now everywhere) and wheat. Though cautious, they would eat from my hand. The second one is Lady Godiva, though I suspect she is the he. Nevertheless, they are a pair, whatever they are. The dogs and cat accepted them, they paid little attention to them, except when they were fed and then hovered close by hoping to catch something they could eat.

Then, just as suddenly as they arrived, they are gone. Columbus and Lady Godiva, flown away with their names and everything. They were (do I say were or are?) Pacific Black Ducks, their proper name. As I say their names, Columbus and Lady Godiva, there is a sense of a relationship, a cosy illusion. Strange things ducks. They took to the air like mother and that balloon. Maybe that’s why I look up so much, there’s a history up there.

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Uncategorized

Thank you

Cheers

To all of you who read the pieces I write, thank you. Writing is a solitary thing and the process sometimes feels like being locked in an echo chamber. It makes a real difference knowing that at the end of the process you are going to read the words.

I sincerely appreciate your interest in my work.

A comment or hitting the like button reminds me that we share this process so don’t be shy.

Have a stupendous day.

Mike

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Uncategorized

insomnia on some near shore

In some near place of interminable wakefulness I walk the long grey shore of sleep, in some near place, insomnia. There where I wear my tongue as a tie pin, I wear it there since I have no further need of it.

Tongueless dialogues curl ceaselessly about me, strange voices, multitudinous waves beat a staccato indictment: you shoulda, coulda, didn’t; shoulda, coulda, wouda; didn’t, widn’t, isn’t. It is a brutal beach on which to wait for the dawn. It is not all froth and foam.

A white bull emerges from the waves and walks along the beach shrouded in soft mist that seems to sway just above the undulating waves. My mind begins to settle at the surreal beauty of this scene. I see Salvador curl and smooth the ends of his moustache with both hands as he sits lotus on an anteater while Marcel Duchamp descends a staircase not smoking a pipe and with theatrical flair extracts a pair of gold rimmed spectacles from his inside jacket pocket and throws them far away into the sea where a colossal, gilted faberge egg erupts from the waves and floats like a gleaming sun. He repeats the process and becomes a constantly throwing glitch.

Then, a movement to my right twists the ribbons of mist into a violent vortex and a minotaur armed with a curved dagger breaks the curtains of mist and thunders towards the bull.

The ground shudders. The tawny beast has the bull’s neck locked in its left arm and looking into it’s eyes it draws the knife across it’s throat and blood streams down onto the beach and turns the crashing waves pink. He lets the white body of the bull slump into the surf where it is rolled then swallowed by the sea. The minotaur turns and faces me. My mind runs but my body stays. Face to face with the beast I gape into the onyx pools of his eyes and find there, my self. The restrained anger of 50 years unleashed. The unspoken frustration at people’s unthought words swallowed for the sake of peace sits deep within, waiting, for years, decades, a lifetime, to rise up and then I smile, turn around free of thought of consequence and with the sun warm on my skin, I nudge myself awake.

So I slip to a different consciousness of crumpled bedding, cold dog’s noses and crows screaming outside and find myself returned to the world where Salvador is dead, anteaters are a continent away and bulls are slaughtered on an industrial scale for us to eat. We do not face bulls in any form except along the shores of our dreams. In some near place where we are centuries away from ourselves.

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Uncategorized

Mud

Everything carries simultaneously the potential for life and death. Soil fosters life and is the primary cause of war. Water sustains life, people drown in it. Water and soil make mud. Mud kills. On Earth, Vol. I

He is driving a car on a freeway into a city. Rather, the car engine drives, he chooses the direction. Not choice exactly, he must go there. He must present documents in order to finalise his citizenship. So, he chooses to comply in order to be recognised by the state in which he currently resides. Then there is the matter of the oath. He must swear fealty. Feudalism never died. There is, once again choice. He is spoiled for choice. He may swear allegiance to the Queen. This he will not do. That is out of the question. Or, he must swear allegiance to the state. Oath taking sticks in his throat. It angers him that he, serf like, must bow before some self important bureaucrat, probably bored of serving the endless queues of stateless, nameless people with their obsequious grins, who have come to pay homage at this shrine of national identity. He must shake off the rage that is building. He turns on the volume of the sound system and listens to Nathaniel Rateliff and The Night Sweats sing ‘Need Never grow old. He sways his upper torso in time to the music, lights a cigarette, opens the window, rolls the dial to full volume and feels free. This is what he thinks:

in something, in some thing there is located perhaps the thing that will liberate me from (from … what is it exactly that i seek liberation from?). It is this difficult to define thing but not a thing exactly … a frame of reference, a frame for the mind, a mindframe or a substance in which the mind sits, if it sits at all for we do not even know where it sits. Perhaps it reclines somewhere like a huge Matisse or Picasso or Modigliani or maybe it stands awkwardly, probably too skittish to stand still, probably pacing. But it feels like a substance. Like treacle … like mud. He has been in mud, crawled through it, yes, mud. It clings and makes heavy the lightest object. He once saw a buffalo dying in mud. He remembers it well. They crossed the bridge and looked down and there it was, lying to one side in the mud. Its eyes were rolling back into its head and its head was twisted at an unnatural angle, maybe locked from muscle spasms from trying to pull itself out. It tried to lurch forward but was sucked right back. There were some vultures idly watching, as patient as politicians and looking as benign. The kids were in the car asking what was going to happen. He’ll die. He said. The girls began to cry and his son became angry. Help him! He demanded. There’s nothing we can do. He said. Tie him to the back of the car. He responded that they had no tow rope, no tow bar, besides it was too dangerous. Why did you show us this? Why did you stop here? I hate you! They drove off in silence.

A song from his own childhood comes to him now, Lee Marvin’s sandpaper voice rubs itself against his inner ear to complete the memory,
I was born under a wandrin’ star
Mud can make you prisoner, and the plains can bake you dry
Snow can burn your eyes, but only people make you cry
Home is made for comin’ from, for dreams of goin’ to

Statehood. Mustness. Mud. Fuck! he says out loud. The treadmill of freedom. Mud. Eventual stopper of blood.

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Uncategorized

Meditation on air

Ink is bleeding a Rorschach image onto the page where text should be. (Why should there be anything? This is something. At least there is this.)

handmade marks meander, he shifts his eyes to old light and breathes, as is his habit, borrowed air stale since Socrates, warm as flatulence. At least there is air.

The eyes in his skull close, as is their habit. Darkness closes the cluttered earth, its supermarket bounty.

Outside, it’s as brutal. The heat has turned the tops of the fern dry, water staunched. Crisp and dead. But at least he is still here, here he is being … , how shall we say this? He is entering the stasis of existence. The inkblot. The stain. He repeats these words:

I am being, … being.

Iamb bean.

Eye yam bean.

Why yam bean?

And so it goes, on and on and on

anon.

Meanwhile, it is always mean while, outside there is now a clear full moon lit night and you can hear the crickets but not the continent rip away beneath your feet. They have always been doing that. The continents. The crickets pulse so loudly you feel their sound inside you and continents move apart so slowly you don’t notice till you look back and nothing has changed for so long it seems that you are an eighty year old dream in the head of a seven year old kid falling asleep on his grandfather’s lap that smells of Old Spice and chicken pie. At least there are memories.

Memory is the residue of being. We call its residence, Self. Like a shelf for the soul. A sole shelf. A shelf. Remembering is sad theatre. Theatre performed by one for ghosts, but its got soul. He wrestles his memories. They become stronger, become demons,make him a stranger to himself. At least he has himself. We doubt, and so we become. (That seems to be the way it happens) What we become is the mystery. Maybe the mystery is only a word to describe that point of surrender. Maybe we have always been that which we become. Becoming is a stripping away. Doubt does that. Life too. You can sit in one place and life will find you and strip you to the bone.

Dubito ergo sum.

That is it. I am in that.

That I am, is being. That I feel, is being. That I think, is this being applauding on and on, anon.

At least there is that.

But what is it? I may as well breathe.

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poetry, Uncategorized

The Sisyphus pearl

Sisyphus polished rage pearled purple

with

iridescent layers of loss rough to the

touch. He did not heave

some slipping century smoothed,

huge knuckle crunching boulder,

but bent double around a

pocket-sized

stone of perpetual despair, a

reminder of gone people, gone things.

And poets pocket the same stones,

picked up

after placid crowds or from river beds

and

gardens where they were kissed and

from

gravestones and deconstructed

walls.

Who of us who hold them now have

not

filled our pockets on walks by the

river?

But, we carry them and carry on.

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